whole summer with the image of a camera ... is not the best for a blog of iconography!
Since this period I have little time to write new post, at least likely that the image will be seen for a long time on the main page of the blog sia un' icona !
Si tratta di una Kazanskaya , che ho eseguito su una tavoletta di 13 x 17 cm, che proprio in questo momento è appesa davanti a me, accanto al Pantocratore; ha avuto una lunga gestazione, perché è nata senza commissione, quindi non sempre è stato possibile lavorarci. Ho continuato in essa il mio studio dei modelli cimabueschi , applicati ad un'immagine canonica russa.
Credo che il risultato sia molto " cortese ", i volumi dilatati e sciolti, la geometria diluita; qualcuno potrebbe dire che mi sono allargato un po' troppo nelle forme. E in effetti al maestro Stal'nov non è piaciuta molto... nonostante non fosse complete when I made him see.
Okay it was me writing it, so I'm biased, but I do not disagree with him, this time: of course, there are certainly parts that could come to me better, but I think the disapproval of the teacher was more than anything else on the "style" in Italy and the flatness of the shapes. It is perhaps some misunderstanding, already demonstrated on occasion against some students' choices, given by his being Russian .
I think it's a good step in my study of traditional forms of our thirteenth century, and the application of these to the contemporary ... The real problem is that I conduct this study with a lot of phlegm and enthusiastically occasional : a little 'because of other things I do, a little' because of my "laboratory" still upside down, in September-October my room becomes completely mine, since - I believe - I can better organize the work and study, not having anything to adapt to the needs of my brother ... (Which, however, earn himself a new single room just for him).
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