Un anno ci ho messo; ma non so perché! L'ho studiata tanto, ho cercato di lavorarci solo quando ero sicuro di ciò che facevo, ponderando ogni pennellata, valutando e studiando le soluzioni da prendere di volta in volta. Poi ci sono anche been long periods when I left the firm, because I preferred it to rest, because they are replaced by other more urgent things to be finished, or because I was away ... But now it delivered, and this will close a bit 'cycle ... now stand sadly empty without the vivid colors of the icon over that there was a lot 'of time.
E 'will be filled soon clear that, indeed, is already filled, but the white table lacks the visual impact of the painted panel before which I used to pray, as it is next to my bed .. . 
I continued my investigation on Cimabue, but I feel I want to overcome, (going a bit 'back in time and southward and eastward in space). You see, I would not, however, make the eyes - as I did in Kazanskaija - flattened by a clearing on both sides of the pupil, but I preferred to remain faithful Rublev icon of respecting the game of looks given by one taken alive. 
Here instead mountain: the model is an icon - always a Trinity - Andrei Rublev Museum of Moscow. I still recall the beauty of a mountain Stal'nov painted by the master, in which the transparency of shadows contrasted so exquisitely with the density and body of the clearings. I do not know if I could recreate this effect, but I tried. Of course the photo does not help much to make the idea! 
Finally here is the detail of the three faces a bit 'more magnified. course, I am satisfied with the result, but at the same time I feel that the margin for improvement and still very large. There is a lot of work, much to study ... and so, so much to pray, the more I go on, the more I realize that maybe I still can not understand what the icon ...
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