is a prime example of relations between the various artistic disciplines of music and art. I chose to begin with, the Kyrie from Petite Messe Solennelle of Gioachino Rossini (1792 - 1868); of his vast work of composition extrapolates only what interests us, namely, its sacred production: a kyrie of this Mass who wrote towards the end of his life (1863).
should be noted that this "song" is conceived in a very concert : Even the use of a piano beginning, makes its implementation within the Christian church at least difficult. I have no idea if this setup has never been performed for a liturgy itself ... As part of Rossini
anti-romantic, although it can be placed in an age already fully nineteenth century, it seems better to compare it with sacred works by painters of the previous generation. I do not know if this is right , but probably the Restoration (and Neoclassicism) and Rossini have nothing to do with each other, is the production sacred that unites them. Therefore some alternate images of sacred art, from the beginning and the first half 800.
What I wonder is only look taking pictures as the background music by Rossini ... as if the image corresponded to the sacred liturgy is sung. From here we will see to what extent is the secularization at the time, and we will have an 'idea' (as "purely aesthetic " that is) the Church age, hearing the sound of painting and giving image to sound.
Gaspare Landi (1756 - 1830). Road to Calvary (1808).
Camuccini Vincenzo (1771 - 1844). Presentation in the Temple (1808).
Serangeli Gioacchino (1768 - 1852). Virgin and Child with St. Bernard (1826).
palace Palagi (1775 - 1860). Santa (?).
Holy Family with St. John the Baptist (1845).
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